The universal reality

The universal reality

 

I can conclude that reality is also the recorded observation that we commonly call photography.

And it is easy to see that time and space are annulled, that the interweaving of light proposes a different vision than the educated conscience of many and that this recorded relationship also possesses the characteristic of being an observing element capable of relating.

 

It is the confirmation of why the same image is able to set in motion reworking processes of the memory, of the unconscious, of the emotional sphere so different among the various observing subjects that even without a conscious act they lend themselves to the infinite dance of reciprocal observation that defines the universe.

 

The paradox of darkness

 

Inside a completely dark room we can say that the observed reality is null or rather null in relation to our modalities of sensory perception.

When a light source is switched on, the observed reality appears as an observatory dance in an intimate and impactful dance.

Trivial, but on reflection and considering those moments in the dark the only possible experience, reality claims the ability to disappear (without filters of experiences in the light, one would say that reality is made up of noises, smells, heat or torpor).

Photography is as real as the dark room and manifests itself as a field of observation that in the reciprocity of the observational process assumes the arrogance of structuring or deconstructing other experiences.