winter diptychs

A photographic diptych is a pairing of two separate photographs displayed together to create a single artistic statement or tell a story, often to highlight a comparison, contrast, or progression between the two images. Diptychs are arranged to work together, forming a visual relationship where the two images complement or contrast each other, revealing new meaning when viewed in conjunction.
Winter offers moments in which light, in its corpuscular rather than wave-like nature, has evident profound implications: it amplifies dreamlike suggestions, visions and limits contact with the earth, bringing out elements of synthesis and archetypes.

Winter light is not warm at our latitudes but it illuminates, and makes one's presence or absence felt deeply: the hours of light are counted, the shapes of the slopes are outlined, walkways, buildings, artefacts are revealed -.
Thoughts do not find the aptitude to do, to move, to encounter and we get lost in self-referential games, masturbators who in their unfolding sometimes know how to lead to knowledge.
In this absence of light, in this whiff of lack the idea of how I represent myself emerges to draw a body with this little light.
I look at myself and mirror myself through the lens of a camera, knowing that what makes me is objective: it's my footprint.
You undress, you are naked in a context devoid of other objects, where light has been prepared to hit the target, where matter is verifiable only if made visible.
Looking at yourself from the outside has a voyeuristic taste and allows you to broaden your attention to shapes, proportions, and what you want to evoke.
I have taken note of these nouns that give a descriptive synthesis of what these images are:_body_skin_shoulders_legs
I then visualized them by finding them in other images I took in nature because they were evocative as in parallel:_penumbra_cold_rain

Photographic diptychs may look deceptively easy to make, but the truth is, they are really difficult to do well.